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    5/4/2008

    LV Baddy Bag LOL - Ewww

    eBelle5 the bag blog post


    Louis Vuitton Damier Azur Badminton Set
    It’s Badminton Time - Louis Vuitton style.

    The Badminton bag is dressed in the new spring checkered blue Azur coated canvas and trimmed with natural cowhide leather laid around the border of this bag. Additional features include the Louis Vuitton signature golden brass hardware, an interior lined with beige fabric which holds one slip pocket, and a long adjustable canvas strap that allows this badminton set to be carried over the shoulder or across the body. Is that is? Nope! This bag retails for mid-$2k and there’s more designer stuff included… Contents of the Louis Vuitton Damier Azur Badminton Bag: Two blue handled technical rackets made by a professional racket manufacturer and a matching Azur print detachable pouch with three shuttlecocks made with real feathers. Measurements of this Louis Vuitton Badminton racket cover is 28.3" length x 9.8" height x 1.3" width.

    > The Louis Vuitton Damier Azur Badminton Set can be discovered at eluxury’s Louis Vuitton boutique where it retails for $2,400.


    Louis Vuitton Damier Azur Key Holder Pouch
    Who wants to tote around their wallet or lug around their handbag or purse? Go minimal with the Louis Vuitton Damier Azur Key Holder. This minimalist can hold 3 to 4 of your most important keys – you know, keys to the BMW, condo, and the security door fob - that's pretty much all this little purse can handle.

    The pouch is decorated with the new light-blue spring Damier Azur coated canvas and features 4 polished brass key hooks. Measurements of this little guy are 4" length x 2" height - perfect mini-size to slide into your pocket or the Badminton bag.

    > Discover the Louis Vuitton Damier Azur Key Holder Pouch at eluxury’s Louis Vuitton boutique carrying the price of $150.
    10/28/2007

    Some Valedictory Dinner Photos

    That's it. The end of school. Now the exams, hollies then uni.
    Can't be bothered uploading. Find more on my bebo.
    10/26/2007

    Cycling

    - Thanks Young.
     
    I think most of my entries are categorised as "Life"... Do I really have that much to say about Life?
    10/4/2007

    My bebo...

     
    I swear I had absolutely NO intention of ending up having one of each of the following:
    1. Bebo (took me 2 years to start doing sth on it)
    2. Myspace (recently started doing stuff on that too)
    3. Facebook (i just ignore this facebookcrap, the randomness of this is pissing me off, just use it to make sure my friends are listed somewhere in case I one day forget their names or sth. XD)
    4. Xanga (never touched it again)
    5. & Windows Live Spaces of course...

    Sleepy

    So here I am so sleepy and hungry (yet don't know what to eat), meanwhile trying to study. The only motivation was for some badminton tonight but apparently there is no place that meets our requirements for some practice tonight... So... Here I am...
    10/3/2007

    WHOA!

    WHOA!
    I didn't know I was capable of jogging 6k's without a stop until today. I went out for a jog again and thought i'd stop like a fifth of the way around the lake before continuing, stretch out or sth, but I just kept going until half way. There I was amazed how I made it half way without a stop or a stretch... then I had a stomachache... but I just kept going. There's no place to stop anyway, stopping only means i'd have to suffer the stomachache longer before i get home... So I kept going until 300m before I reached home, I sprinted it. Sprinted the last 300m like my life depended on it! And there's my 6km jog for the day. Whoa! 5 times better than my expected limit and 3 times better than my usual limit.
    9/4/2007

    I now live by two values

    1. Determination, and I'm not afraid to emphasise it.
     
    2. Love.
     
    8/30/2007

    The New Meaning of Life: Hugs

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    The new meaning of life: Hugs.
     
    Lauz is my huggy buddy. ^^
    8/18/2007

    What I spent the last period of my life on...

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    Yep, that's right, I spent the last hours, weeks, months of my life on this. This one massive equation and guess what I come down to... the value of 1.0... O.o

    7/13/2007

    To Mr. Malcolm Dawe

    Mr. Dawe was, and still is, one of the best teachers at my school. He just recently died (11th of July, 2007) from cardiac arrest (simply put: heart suddenly stopped beating). From what I know, this is due to one of the long-running diseases he has had and the last thing he told me about this disease was that it is nothing fatal, nothing problematic. Regardless, Rest In Peace, the much appreciated Mr. Malcolm Dawe. I regret having never told you you are the best physics teacher I have ever had, and top of that, amongst the best teachers at school. I did not choose my Extended Essay just because I like physics. I like physics because you are a great teacher, and so I dedicated part of my final year 12 mark on studying physics as a subject and as an extended essay - the motion of a shuttlecock - because you are a great teacher. If it were not for you, I would not have come top of class for so long in my two-year physics course which is not over just yet. Physics is currently my favorite subject of the 6 subjects I have chosen. Whoever physics teacher we will have in place of you from now on will never be as good as you. The way you make sure your students understand has made me understand what dedication is. Unlike other teachers, you would not slack off, you would work very hard and I am sure that is why you have such a good history in our school - Deputy Director of Studies and Careers Officer. You were appointed Careers Officer because you could relate to students and therefore would be best to direct students in whatever direction they should head.

    I have never in my life, until today, shed a tear for a dead person and was not prepared to for a teacher, but you were not just a teacher to me, you were closer to being my 1-on-1 tutor. In fact, you were even closer than that, so much so I do not have a word to describe how much respect I have for you. You would spend any length of your free time just to explain one single question to me so that I would understand it to its utmost depth despite the fact that you DON'T have that much free time. You would always be busy with something, always either in your room marking or out of your room photocopying sheets for the students.

    The last thing you have taught me is Astrophysics, about stars. Aside from the physics of stars, there is a legend that people will eventually become stars after death. The more you are respected in your living years, the brighter you will shine. May your brightness be as bright as the sun as seen on earth, with the apparent magnitude of -26.5. You taught us to look up into the night sky and observe the stars, and now we look up at the stars and wish you've become one of them.

    I promise that I will use whatever dedication you have taught me to end my school year this year before I go into uni. I will get a merit (7/7) for Physics and I will dedicate it to you.

    RIP, from one of your students who most respects you - Vincent Cheung
    7/5/2007

    Toughness

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    It's when TOD and RON think they're tough.

    Ownage Cosplays

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    I don't usually agree with western cosplayers, but this one is alright I thought.

    The Best of Tales Box Set!

    So my brother ordered a present for me which was not released at the time. It just got shipped to me today and here it is with me right now. And I can tell you, it's nothing stunning, but it's freaking lovely!

    From my favorite game series - Tales - is a box set named "The Best of Tales". It consists of an awesome luxurious looking box with a CD/DVD set where opening videos of the featured 8 games as well as the songs of each in full are in. A "The Best of Tales Book" which describes every background story and individual characters. A small poster comes with the cover of the CD case. AND, the most practical bit - the pins. THE PINS are awesome. They are pins of a character from each of the 8 featured games and it's a random draw which character you get from one game. From my favorite Tales - ToD2 - Tales of Destiny 2 - I got Reala, the sexiest girl in all of Tales - ^^ - my favorite chic too. My favorite guy (no homosexuality implied) is also from ToD2 and I couldn't possibly get two characters from the same game, so I'm satisfied with Reala. Then I also got Caius from Tales of the Tempest, Chloe of Tales of Legendia, Veigue from Tales of Rebirth, Kratos of Tales of Symphonia, Farah from Tales of Eternia, Lion from Tales of Destiny (1) and Mint from Tales of Phantasia. It's probably impossible to get the main Heroes/Heroines fro every game, so let's just say this is a good line-up. I think I'm gonna wear these out. ^^ Even though no one would probably know what it is and they'd probably think it's a stupid thing to put on clothing... XD Screw society!

    Anyway, multiple thanks to my brother. The rest of you can bow down to my THE BEST OF TALES BOX SET!

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    The CD and DVD are awesome looking too. CD is gold plated and DVD is black-gold plated! 
    7/1/2007

    One Day in the Life of Ivan Denisovich - IgniteNotes!

    One Day in the Life of Ivan Denisovich (By Aleksandr Solzhenitsyn) – IgniteNotes!

     

    Background Information + Key incidents:

    One Day in the Life of Ivan Denisovich depicts a view of the life in Stalinist labour camp (~1951). Even though the text is based on one single day, it reflects upon most of life in the camp. Ivan Denisovich Shukhov was accused of being a spy after being captured by the Germans as a prisoner of war in WWII. Many are like him, either accused of having committed a crime, which they have not, or committed crimes which are way too insignificant to be sent to this camp as retribution. The labour camp thus consists of ‘criminals’ who are mostly not really even criminals. Solzhenitsyn himself was imprisoned for 8 years in the labour camp for insulting Stalin by calling it “Old Whiskers” in one of his letters to his friends.

     

    Solzhenitsyn explores the ability of humans to survive, and at the same time remain dignified, under near intolerable conditions at subzero temperatures (e.g. -40oC) and having to be stripped at that temperature to be searched. Prisoners are only given 200 grams of bread every meal and have to do back-breaking labour.

     

    Themes:

    Identity:

    Some prisoners such as Shukhov still attempt to retain their unique identities even under the harsh conditions. Others such as Fetiukov, Shukhov believes, will not survival for long in the labour camp. They have lost their identity and human dignity surviving in a lowly style, frequently looking around for leftovers or cigarettes. Fetiukov is quite different to Shukhov. Shukhov keeps his identity with the special items he keeps around him or to his use only such as his spoon and trowel. He keeps his dignity by purposely taking off his hat every time before a meal. Whilst he would work hard at the power station in order to gain the respect of others and to gain extra food. Some others such as Tsezar survive in the camp with special privileges (Tsezar with his frequent parcels from family) and Alyosha survives in the camp by beliefs. His beliefs keep him strong and he sees that labour camp is just a challenge to overcome set to him by God.

     

    Community:

    In Denisovich, people are divided on a hierarchy. Leaders of groups and guards are at the top of the hierarchy, possessing the most power around the camp. Prisoners are then ranked according to their reputation. Those such as Fetiukov are considered to be lowest in the hierarchy as they have lost their human dignity. The hierarchy controls how a person is allowed to act. Leaders have more freedom and can negotiate with guards much more easily than any normal prisoner. Those who have good relationship with the leaders or guards, whether through bribe or just good reputation, are determined to have a better life in the camp. To have these good relationships, one must obey orders and be reputable, and this will inevitably alter one’s original identity. The community of Denisovich

     

    Language:

    In Denisovich, language has a symbolic power. Terms such as ‘comrades’ are disallowed in the camp; People’s names are replaced by letters and numbers. These show that language has a symbolic power (such as to create good relationships with other prisoners by calling them by their names) but the camp disallows them to have this power as it is designed to discourage friendship and camaraderie.

     

    Fear/Faith:

    In the camp, there is a fear of the cold, fear of solitary confinement and fear of death. The prisoners’ lives are driven by fear. However, to survive, prisoners should show little fear and particularly the leaders. If they want to be able to make the prisoners in their gang (and perhaps other gangs too) to obey, they must show confidence. They must also show little fear when facing the guards in order to have dominance over the guards. Faith from the from people from one’s own gang is also important. For example, the 104th gang’s trusts for each other have brought about good cooperation during supper time where Shukhov and Gopchik each found a tray and Pavlo waited in line for the trays. Tsezar’s trust for Shukhov to wait in line for him for the parcel and Shukhov’s faith in Tsezar would give him his supper in return serve as a bond between them. The bond of trust between zeks is important for survival.

     

    Narrative voice:

    The narrative voice of Denisovich is mainly third person focussed on Shukhov. There is some use of second person narrative, but mainly third person to allow the novel be analogous to a diary entry or a documentary piece. The diary format is evident also at the beginning of the text, “As usual, at five o’clock that morning…” where time is stated and it states that this morning is the typical morning. This reflects on the repetitive life of being a zek in the Stalinist labour camp.

     

    Structure:
    There is no separation of chapters as would be typical in other novels which firstly reflects on the fact that the novel speaks of one day in the life of a person. It is important to note this continuity as it relates to how long a day feels like in the labour camp.

     

    Symbols:

    The spoon and trowel are symbols of uniqueness for Shukhov. For his identity to be defined, he uses his spoon, and when he eats he takes off his hat regardless of how hungry he may be.

     

    Knives in the camp are seen as tools that can help one out throughout life in camp and are difficult to obtain. One must risk being caught and sent to solitary confinement in order to sneak one in through the gate. Knives thus symbolise a zek’s power and capability.

     

    Personal view:

    It seems that much more is experienced in Denisovich than is in Remembering Babylon in terms of action, but Denisovich speaks of only one day which is strikingly long and somewhat repetitious. To think that he is to serve “three thousand six hundred and fifty-three days like that in his stretch” is rather painful even for the reader, myself, to think. Whilst Shukhov suggests this day is “Almost a happy day” I personally feel that from all that I have experienced through reading the text that this day is long and unbearable.

    6/30/2007

    IgniteNotes for Remembering Babylon (By David Malouf)

    Remembering Babylon (By David Malouf) – IgniteNotes! By TOD-The Online Devil (Reproduceable only with TOD next to title ^^)

     

    Background information + Key incidents and meanings in each chapter:

    Remembering Babylon records the myth of the fateful contact between white European ‘settlers’ and black Aborigines, the natives. The text portrays a perspective of how the Europeans were using unwelcoming force on the Australian land and the native Aborigines near the time of settlement in Queensland (~1840s). Even so, Malouf’s purpose does not seem to be focussed on the settlement itself but the interaction between humans and how people’s life change according to their environment (the land and people around them). This brings up the idea of ‘nature versus nurture’ which will be later discussed. Malouf also brings up a few questions with his text: what is the primary purpose of existence? What makes people who they are? And perhaps even what the meaning of life consists of. Malouf challenges the reader of their definition of bring human. These ideas arrive by the use of little plotline and a more concentrated focus on the ‘inner world’, the human mind where all thoughts take place. Some of these thoughts are spoken through language, but the majority of people seem to keep the most self-feared thoughts to themselves afraid that they might be different.

     

    The title of the text Remembering Babylon along with the epigraph (by William Blake) and poem (By John Clare) at the start of the novel have little relationship with the plot. However, these all interconnect at a secondary level. The title Remembering Babylon is rather confusing as readers may find that the early plotline seem to in no way relate to Babylon. The Old Testament speaks of Babylon as one of the great cities of antiquity and nowadays referred to as one of the most important early civilisations. However, in the Judao-Christian tradition there is quite a damning association with Babylon. Babylonians under their leader (Nebuchadnezzar) destroyed temples of Jerusalem and captured Judah creating an evil to be implied in Babylon. Jerusalem’s inhabitants were left starving, children taken as slaves, the Jewish king forced to watch as his sons were put to death etc… The city is thus also referred to as the city of despair associated with exile and suffering. Jerusalem, on the other hand is the ‘holy city’ of three religious (Judaism, Islam and Christianity), representation the qualities of tolerance, perhaps love and peace too. The epigraph asks whether one is in Babylon or Jerusalem, that is, whether characters are living in a land of chaos or peace.

     

    Also, Babylon is derived from the name Babel, related to the idea of confusion. Babel was both a city and a tower where humans were proud and wanted to build a tower reaching to the heavens. The ‘Lord’ sees the pride of human and decided to cut their way of communication by confusing their language so that they cannot understand each other. This story thus unites two ideas: the idea of domination in people believing that they can do anything and the idea of confused language cause misunderstanding.

     

    Gemmy is the main character of the text, but some may argue Gemmy is the main representative character. Gemmy tells of the life in the forest with the natives but more importantly, Gemmy forces us, the readers, and the characters in the novel to confront about ourselves.

     

    Chapters:

    1. Right at the beginning of the text, three children meets Gemmy who had the look of a black but obvious to Lachlan Beattie that he was white. Gemmy’s first words were “Do not shoot, I am a B-b-british object!” suggests his loss of the British heritage even though he may have meant British subject. Gemmy was then brought back to the settlement where he was surrounded by whites. Mr Frazer, the minister, assumes responsibility for discovering Gemmy’s past. George Abbott, schoolmaster, is assigned to record whatever Gemmy can make of his past in their language. The rest, it seems, is made up by Mr. Frazer, carrying out one of his forceful nature as European.

     

    2. In chapter 2, we are taken back to when Gemmy was wash up on the Queensland coat. He was taken as a non-human ever since then, seen as a half-child half-sea creature by the Aborigines. Even so, the Aborigines suggested no harm to Gemmy and even their first act was one of charity by offering him water. Gemmy is nurtured in the Aborigines culture ever since then and learn how to hunt and live off the Australian land.

     

    3. In a cyclical structure, we are taken back to the current. Gemmy was provided a place to sleep and given work around the farm by the McIvors (Janet’s family). Gemmy grows to have a closer relationship with Lachlan, but the strength of this bond is not assured by Lachlan until he grows up.

     

    4. Chapter 4 tells of George’s old life and that he does not, like many other settlers, feel a part of the community here in the settlement. His perspective of Gemmy is negative until when he becomes transformed by love for Leona Gonzales. George, in his last scene, finally shows understanding of Gemmy’s worth.

     

    5. The cyclical nature of the novel brings us back to when Lachlan joins the McIvor family. More is told about the McIvor family and Lachlan. Janet, in particular, shows a distinct nature relying much on her imagination. Janet finds a new skin as she idly picks the scab on her knee. She feels “that if all the rough skin of her present self crusted and came off, what would be revealed, shining in sunlight, was this finer being that had somehow been covered up in her.”

     

    6. The settlers soon become divided, some such as Ned Corcoran fears Gemmy to be a spy of the Aborigines who have supposedly raided other nearby settlements. Some such as Lachlan and Janet stand against that view and tries to protect Gemmy. Mr Frazer seems to be the neutral one with some European values but also tries to physically protect Gemmy has he is a source of much intelligence of the land.

     

    7. Jock is put in a difficult position, struggling to defend Gemmy as he is still deciding what to think of Gemmy. However, he knows that “the chief thing he had against the man [Gemmy] was so unreasonable, he was ashamed of it.” Physical boundaries were put up between lands now that Gemmy is seen as a threat by people such as Barney Mason. Ellen McIvor is more rest assured than Jock at this stage as she defends Gemmy against comments of the neighbouring women.

     

    8. This chapter sees George’s European self starting to transform as he enters the frivolous world created by the little group at Mrs. Hutchence’s house. In fact, as he leaves the place that day and as he walks past Gemmy on the way, “he would have greeted the fellow [Gemmy], and found he was disappointed when Gemmy kept his head lowered, and would not look up to receive the gesture he meant to make.” George’s impression of Gemmy is starting to change at this point as he is disappointed that he is unable to greet Gemmy.

     

    9. Gemmy is visited by two aborigines. They talk for some time whilst all of it is observed by Andy McKillop from a faraway distance. Andy tells Barney about his sighting, but it is not taken seriously until Jim Sweetman appears and becomes impressed about the story. From this incident, Andy seems to be a person who seeks ease through verbal aggression and hatred, especially hatred for Gemmy.

     

    10. Jock’s relationship with Barney is under threat as Jock continues to defend for Gemmy and Barney becomes more assertive by the people around him such as Andy and Jim. This pushes Jock to think about human nature and his priorities. Jock’s epiphany shows the climax of his continuous change, seeing the beauty of the natural world “extending his hand, palm downwards, over the backs of insects, all suspended in their tiny lives in a jewel-like glittering.” Jock feels more obligated about protecting Gemmy. Meanwhile, Gemmy’s existence also brings Jock and Ellen closer together.

     

    11. Following Gemmy’s meeting with the aborigines, several disturbing incidents occurred. The killing of Ellen’s geese is a deliberate act of the people who hate Gemmy. It symbolises the cruelty on harmless, innocent creatures. These geese also have names and are family pets. Killing them is like an assault towards the family itself. These events portray the Babylon of human nature, even though the epigraph at the beginning suggests that it is the settlers who do not know whether they are in Babylon or Jerusalem. The incidents show that whilst humans are capable of ‘achieving Jerusalem’ through love and care, they are also capable of ‘achieving Babylon’ displaying violence and hatred.

     

    12. Gemmy feels that he does not belong in the white society. “The land up there was his mother, the only one he had ever known. It belonged to him as he did to it; not by birth but by second birth…” By second birth shows that he chooses to live with the Aborigines, with the natural world. Also in this chapter, one of Gemmy’s nightmares falls to reality as he is captured and bullied by several settlers only to be saved by Jock’s arrival. This reflects on one of the key ideas in the text, which is the importance of imagination. This is covered in the themes section.

     

    13. We are taken back to before the attempt to kill Gemmy. Jock wakes and goes to save Gemmy. By the time Jock reached the site of incidence, the culprits have gone. Jock brings Gemmy home and lie with him in Gemmy’s room with him. Jock’s act of pulling Gemmy closer to himself as they lie is a symbolic act of obligation to protect Gemmy. This is the second climax of Jock’s change as he takes a big jump – “did a thing he could not for his life have done a week, perhaps even an hour ago: he sat huddled close to him [Gemmy] in the dark.” Janet also sees a climax to her change here as she is drawn closer to her mother and experiences a moment of understanding.

     

    14. This chapter tells of Mr. Frazer and his fondness of nature. This is a main reason why he cares for Gemmy and decides for the McIvors that Gemmy should be sent to Mrs. Hutchence’s. Mr. Frazer records all his findings and his views of the Australian continent. He sees what the other settlers have failed to see, that is, the richness of the land. If the settlers were to free themselves from thinking only of European food, they would discover how to live off the land around them. Where he writes “We have been wrong…” is a suggestion that perhaps the settlers should learn from the Aborigines and that it is possible to survive on this land alone.

     

    15. Janet becomes more involved with the bees. Janet would look into the bees’ side of things in order to deal with them. Through this, she also survives the incidence in which she is covered with bees and then becomes their ‘bride’. This is another climax of her growing up as she sees a newer self emerge. Gemmy, too, sees the change as he established as a character who sees the inner self of people around him. For Janet, Gemmy sees her inner self emerge. (Also, bees are incidentally an ancient symbol of life itself)

     

    16. Gemmy, having been beaten, is finally able to relive the experience when he was with Willett. Gemmy may have been, for all this time, seeking to live an analogy of his past and perhaps to reconcile whatever his mind would not let him settle on. Working for Jock is analogous to working for Willett and being beaten by the settlers is like the final beating by Willett. Except he sets fire to the house the first time, perhaps intuitively to pay revenge for his pains, he does not seek revenge this second time. Knowing that he himself can change so that he does not seek revenge, he is finally free to do and choose whatever he wants.

     

    17. Lachlan suffers mockery by other children in the settlement as they make fun of Gemmy in front of Lachlan. Lachlan has the incentive to stand up for Gemmy but feels that the act would show femininity. When he visits Mrs. Hutchence’s house, he is amazed at the frivolity of the scene compared to what he had experienced in the past weeks. When he leaves the house with Gemmy, he promises to return but both know that he will not. As he walks away, “he looked back once and saw that Gemmy too had turned” but he did nothing else and walks away. He would later dream of having walked back up that road. He regrets having betrayed Gemmy by not standing up for him and misses his presence.

     

    18. The Governor (Sir George Bowen) is introduced and Mr. Frazer is in Brisbane to confront the Governor of his concerns about the land of Australia. Mr. Frazer gives his report about how it is possible to live off the Australian land but the Governor does not understand his purpose. The Governor also displays a high degree of the European heritage and holds the arrogance of being European.

     

    19. Gemmy decides to retrieve the sheets of paper which his life story was recorded on and thereby regaining his past – which is what partly defines who he is (see identity theme). George would have handed him the papers, but he did not have them, but to settle Gemmy’s desires, he passes him papers children’s schoolwork which he was marking. As Gemmy enters the forest, it starts raining. The black ink, symbolising black magic, is gradually washed away - the black magic of European civilisation.

     

    20. A big time jump occurs. Janet is now Sister Monica and Lachlan a lawyer. Lachlan faces trouble analogous to his childhood. This time he risks his life to stand up for a victimised German (Mr. Goetz), something he could not do for Gemmy. This can be seen as an act to relieve the sense of regret in not standing up for Gemmy for Lachlan. Lachlan also visits a set of aboriginal corpses as a result of a massacre and decides that in these corpses, one belongs to Gemmy’s to avoid searching for him for all his life. The same darkness of life is reappears at a different historical period. First Gemmy was a threat because he came from ‘the other side’ and now Mr Goetz because he is on ‘the other side’ of the war. Despite all the darkness, Janet reflects on the possibility of humans achieving ‘Jerusalem’, “As we approach prayer. As we approach knowledge. As we approach one another.” The optimistic view ends the text in suggesting that humans can ‘achieve Jerusalem’.

     

     

    Themes:

    Individual identity – Who are we? What makes us who we are?

    Finding one’s true self is one of the most important and evident themes in the text. Gemmy serves as an agent in forcing us to confront ourselves and discover our inner selves just as he does to the settlers. He unleashes the Babylon that has existed in some of the settlers, meanwhile those who such as Janet, Jock and Lachlan, he reveals their Jerusalem. The care that they have provided Gemmy and the epiphanies that Janet and Jock encounter shows how their character is changed or, in the case of Janet, is revealed. Settlers have talked about “losing it” which refers to one’s identity. The irony is that in an attempt to secure “it”, some settlers lose it and unleash their bestial self. For others such as Janet, “it” is to be found rather than maintained.

     

    It is ironic that when settlers find themselves answering the question “Who are you?” they are actually answering the question “Who am I?”. As in the case of Gemmy, when some settlers say that Gemmy is dangerous, it is evident that they themselves are the dangerous ones – capable of bringing up the Babylon of human nature.

     

    Gemmy too, reflects on the struggle to find one’s identity. He has experienced all these events since childhood in order to find his real identity, whether it is in fact European or Aborigines.

     

    Nature vs nurture – Our origin and our past vs our fateful destination and the current.

    Nature as opposed to nurture relates to the identity theme. Malouf explores whether one is actually defined by one’s origin (i.e. birthplace) or is it the place which most nurtured one. In fact, Malouf seems to argue that identity is defined by both of these, that one’s identity has to be defined by one’s origin as well as where one was brought up. In the case of Gemmy, the question of “Who am I?” is answered by what one has experienced in the past and what environment one is in. Gemmy has the bones and bits of the European language; meanwhile, he has also got the knowledge of the Australian land from the Aborigines.

     

    Language – A form of power, magic, understanding

    The problems of language exist when people come together form different cultural backgrounds. Gemmy has difficulties communicating with the settlers with language. Even so, body gestures (body language) seem to be a way of communicating. Gemmy is cared for by those who understood him and hated by those who do not. People like Mr. Frazer would restrict understanding to language whilst the Janet would allow understanding to be done through what values one carry. Both these kinds of people care for Gemmy’s existence.

     

    Fear/Faith

    In order to survive, one must maintain little fear and obtain faith from others. Gemmy is unable to survive in the white societies as he has obtained little faith from all the people surrounding him and fear for most of them. Especially after the incidents of the attempted murder and the beating by Willett, Gemmy finds that he cannot survive by staying. He goes back to the Aboriginal culture where he would find Jerusalem to reside.

     

    Settlers who possess Babylon also show fear. They fear that Gemmy would make them lose their identity, fear of “losing it”. They cannot survive with Gemmy’s existence and decide that they must get rid of him.

     

    Imagination

    The importance of imagination is shown in Remembering Babylon. What one imagines and seeks to achieve ultimately defines what kind of human one is. Those who have dark desires, wanting to destroy Gemmy, eventually turn their desires into a reality by kidnapping him and then drowning him. On the other hand, those such as Lachlan and Janet who have greater empathy for Gemmy imagines a better world. Lachlan imagines that he will one day travel the world with Gemmy as he provides him with knowledge about the world which will support his journey in search for Dr. Leichhardt. Janet imagines that there is a better inner self of which she is to explore and is seen when she becomes Sister Monica.

     

    Imagination is important as a bond between people. Gemmy first recognises Lachlan’s stance and the stick masquerading as a gunman about to shoot. This creates a bond between them as they both recognise the imagination involved.

     

    Boundaries

    Boundaries are used for separation. There is a fence separating the Aboriginal world and the European settlement. It is a distinction put up by the settlers. Metaphorically, Gemmy crossing the fence shows his dual identity whilst the children being near the fence shows their still developing view of the world. They are still neutral in terms of deciding which side of the fence they belong to, that is to say, whether they should belong to the civilised Babylon side of human life or the Jerusalem side.

     

    Structure:

    The structure of Remembering Babylon is mostly cyclical as intermediate chapters visit events of the past after having gone past them. For example, chapter 12 puts the attempted murder in the view of Gemmy whilst chapter 13 puts murder in the view of Jock and then Janet. Jock and Janet’s views are separated by leaving a blank line. This distinguishes a jump from one view to another. This assures the readers that the scene is perceived in another person and will differ from previous ones.

     

    The text is also cyclical since it goes back to times years before the time of the first chapter of the text such as to when Gemmy was washed up the shore and the time of him being Willett’s boy. The cyclical nature suggests that to become more Jerusalem people, one must take one step back in order to make two steps forward.

     

    Narrative voice:

    The narrative voice of Remembering Babylon is mainly omniscient as the narrator is able take the readers to any scene of any time. This allows the cyclical nature of the text. Meanwhile, the narrative voice can be third person at times. This is to give more personal views of individuals such as Gemmy, Lachlan and the McIvor family. Especially with Gemmy who cannot use verbal language to communicate, in order to understand him, readers must be brought closer to him by use of third person narrative.

     

    Symbols:

    The stick masquerading as a gun is a symbol to represent the dominance of the European culture and the use of force in order to gain control of situations which suggest no harm otherwise.

     

    The pen and paper symbolise as magical items which can lock away one’s identity. To Gemmy, he sees that his life is being put onto the paper with black magic (black ink) and then put away. He sees that he is not whole unless he gets those papers back near the end.

     

    The apples in chapter 20 have a biblical reference. In the garden, Lachlan cutting the apple in front of Janet is somewhat analogous to Adam and Eve eating the sinful apple in the Garden of Eden. Adam and Eve are the beginning of mankind. Lachlan and Janet thus represent a new beginning to mankind, one with a new and Jerusalem perspective.

     

    Personal view:

    There is a feeling that nothing much really happens in terms of action in the novel, but I seem to have experienced a lot. This is most likely because Malouf explores individual characters’ world of thoughts more so than he does with what is happening on the surface of these people.

    5/28/2007

    IgniteNotes on John Donne Poems

    IgniteNotes, better than Sparknotes. IgniteNotes created by TOD-The Online Devil. The following are poems from John Donne and notes/analysis on them.
     
    The Flea
    MARK but this flea, and mark in this,
    How little that which thou deniest me is ;
    It suck'd me first, and now sucks thee,
    And in this flea our two bloods mingled be.
    Thou know'st that this cannot be said
    A sin, nor shame, nor loss of maidenhead ;
    Yet this enjoys before it woo,
    And pamper'd swells with one blood made of two ;
    And this, alas ! is more than we would do.

    O stay, three lives in one flea spare,
    Where we almost, yea, more than married are.
    This flea is you and I, and this
    Our marriage bed, and marriage temple is.
    Though parents grudge, and you, we're met,
    And cloister'd in these living walls of jet.
    Though use make you apt to kill me,
    Let not to that self-murder added be,
    And sacrilege, three sins in killing three.

    Cruel and sudden, hast thou since
    Purpled thy nail in blood of innocence?
    Wherein could this flea guilty be,
    Except in that drop which it suck'd from thee?
    Yet thou triumph'st, and say'st that thou
    Find'st not thyself nor me the weaker now.
    'Tis true ; then learn how false fears be ;
    Just so much honour, when thou yield'st to me,
    Will waste, as this flea's death took life from thee.


    The Flea - IgniteNotes by TOD
    The Flea is one of John Donne’s early love poetries. The purpose of his love poetries are to focus on how important he sees his love and to show how much he treasures his times with his loved one. The Flea is no different, except unlike his other love poetries, this one has a particular focus on his desire for sex. In this poem, Donne uses poetic devices such as imperative opening, a variation between the iambic pentameter and iambic tetrameter, consistent rhyming scheme, paraphrasing and sibilance in order to emphasise his point about sex. Donne’s conceit of the flea is an important aspect in seeing the dramatic irony in this poem. Donne turns the flea, which is an unlikely symbol of love into the only thing enjoining him and his lover.

    The poem is separated into three distinct stanzas, each following the same rhyme scheme and the same style of variation between the iambic pentameter and iambic tetrameter. The rhyme scheme in each is of the form aabbccddd. The use of iambic pentameter is seen in each second line and the same with iambic tetrameter, except the last in each stanza which is definitely iambic pentameter. This adds to a very easy and soothing tone to the poem and draws the readers into feeling relaxation in order to understand Donne’s desire for sex.

    The use of the imperative opening is seen by the use of paraphrasing and the use of the word ‘mark’ which has a heavy tone. Instead of the poem starting with an unstressed tone, Donne varies the iambic by starting with a stressed tone further emphasising his point. A very strong opening indeed telling the readers that which is before him is small but is worth noting. Following the imperative opening, Donne conveys the action that is taking place. The flea having sucked the blood of Donne himself, now sucking his lover’s blood. He suggests that the flea has not committed a sin by doing so, nor is it a shameful action, neither has the lover lost her virginity. Even so, the bloods of the couple have mixed without sexual intercourse. He then ends his first stanza saying that what the flea has done is more than what the lovers would or could do.

    In the next stanza, Donne brings the idea that the flea is like a temple, a marriage bed. That his lover should not temper with the flea for it holds the idea that the lovers are enjoined. By killing the flea, she would have killed the lives of three.

    The third stanza is less lightweight as the other two. It describes the action of which the virgin as cruel and sudden, saying that she has killed an innocent being and covered her nails with blood.

    The flea is a conceit representing union and marriage through intimacy. The poem is as though a proposal by Donne to the virgin for sex. By the crushing action of the virgin, it seems that the virgin has rejected his request. Donne also shows persistence in his desire for sex by the use of the consistent rhyming scheme of aabbccddd in each stanza. This showing his passion and seriousness about the desire for intimacy, or sex.

    The three stanzas are structured by events one following another. Enabling the dramatic irony to become visualised by the readers. The irony comes from the flea and the drama is created by the structure. These together enable the readers into understand, feeling what Donne feels about his relationship with his lover.
     
    The Anniversary
    ALL kings, and all their favourites,
    All glory of honours, beauties, wits,
    The sun it self, which makes time, as they pass,
    Is elder by a year now than it was
    When thou and I first one another saw.
    All other things to their destruction draw,
    Only our love hath no decay ;
    This no to-morrow hath, nor yesterday;
    Running it never runs from us away,
    But truly keeps his first, last, everlasting day.

    Two graves must hide thine and my corse ;
    If one might, death were no divorce.
    Alas ! as well as other princes, we
    —Who prince enough in one another be—
    Must leave at last in death these eyes and ears,
    Oft fed with true oaths, and with sweet salt tears ;
    But souls where nothing dwells but love
    —All other thoughts being inmates—then shall prove
    This or a love increasèd there above,
    When bodies to their graves, souls from their graves remove.

    And then we shall be throughly blest ;
    But now no more than all the rest.
    Here upon earth we're kings, and none but we
    Can be such kings, nor of such subjects be.
    Who is so safe as we? where none can do
    Treason to us, except one of us two.
    True and false fears let us refrain,
    Let us love nobly, and live, and add again
    Years and years unto years, till we attain
    To write threescore ; this is the second of our reign.


    The Anniversary is one of John Donne’s early love poetries. The purpose of his love poetries are to focus on how important he sees his love and to show how much he treasures his times with his loved one. The Anniversary is no different as it takes a focus upon the longevity of the love between him and his lover. In this poem, Donne uses poetic devices such as alliteration, consistent rhyme scheme, variation from the iambic pentameter and imperative opening to accumulate his ideas and so to add emphasis to them. Unlike much other poetry by Donne, The Anniversary does not have a conceit, but rather than using a conceit to hyperbolise key ideas, Donne uses very grand comparisons to do so.

    The Anniversary is structured by three stanzas, each following the rhyming scheme of aabbccdddd. The structure shows the confidence and a lack of doubt in his argument. His argument being his love for his partner is stronger and grander than the royalties, that even the sun will age but their love will not. We as readers also see continuous build up in his confidence within his argument. This shown by the accumulation of syllables through any of the stanzas. For example, throughout the first stanza, the number of syllables in each line builds in this way – 8, 9, 10, 10, 10, 10 – then it goes back down to 8 when he speaks of “Only our love hath no decay” – which may show that he is less sure about this statement, but with its short length, the emphasis becomes bigger, so the accumulation is not broken. The number of syllables continues to be in the form of the iambic pentameter until the last line where he is most sure about himself – where there are 12 syllables. The other two stanzas follow a similar pattern. The argument that Donne attempts to build is, no doubt, their love will not decay. He compares their love with the sun which represents time in the first stanza. He says that time is now a year older from when the lovers first met, but their love has never deteriorated even whilst everything draws to their destruction as time passes. There is also a use of paradox in the first stanza and along with inversion. The paradox is as seen in “Running it never runs from us away” which also contains the use of inversion to emphasise the ‘us’ in the line. Paradox also exists throughout the poem, that even though through time everything will become less ordered, and everything will move towards their destruction, it is relationship that remains the same.

    Donne furthers his argument in the second stanza in a similar way as the first. Donne suggests that even death cannot deteriorate the love between him and his lover. Donne suggests what a prince may be, and that even a prince will die. And when he and his lover die, their souls will continue their everlasting love.

    Donne’s confidence comes to its highest point in the last stanza. He compares his love to even the most royal of the royalties – kings. He confidently states that on this earth, the couple are kings and no one else can be such kings for no one else has love as strong as such. Compared to kings, only two people can do treason to this love they have, whilst many can do treasons to kings. And so their love keeps them safe. The second last line uses the repetition of time just like in the last line of the first stanza. “Years and years unto years” as well as “first, last, everlasting day”. To finalise his argument, he says that his argument extends beyond just this poem – and so it is not finished just like his love – that there are threescore.
     
    Hymn to God My God in My Sicknes
    SINCE I am coming to that Holy room,
    Where, with Thy choir of saints for evermore,
    I shall be made Thy music ; as I come
    I tune the instrument here at the door,
    And what I must do then, think here before ;

    Whilst my physicians by their love are grown
    Cosmographers, and I their map, who lie
    Flat on this bed, that by them may be shown
    That this is my south-west discovery,
    Per fretum febris, by these straits to die ;

    I joy, that in these straits I see my west ;
    For, though those currents yield return to none,
    What shall my west hurt me ? As west and east
    In all flat maps—and I am one—are one,
    So death doth touch the resurrection.

    Is the Pacific sea my home ? Or are
    The eastern riches ? Is Jerusalem ?
    Anyan, and Magellan, and Gibraltar ?
    All straits, and none but straits, are ways to them
    Whether where Japhet dwelt, or Cham, or Shem.

    We think that Paradise and Calvary,
    Christ's cross and Adam's tree, stood in one place ;
    Look, Lord, and find both Adams met in me ;
    As the first Adam's sweat surrounds my face,
    May the last Adam's blood my soul embrace.

    So, in His purple wrapp'd, receive me, Lord ;
    By these His thorns, give me His other crown ;
    And as to others' souls I preach'd Thy word,
    Be this my text, my sermon to mine own,
    “Therefore that He may raise, the Lord throws down.”


    Hymn to God my God in my Sickness is one of John Donne’s later poetries which take focus upon religion. For most of Donne’s religious poetries, he alludes to death, and typically his own death. Some of his religious poems often refer to the sins he has committed throughout his life. Meanwhile, one may argue that he fears to be unaccepted by God when he dies. Fearing death, his retribution is through his poetries. In this poem, Donne uses himself as a conceit for a map as well as metaphor for music. He also uses poetic devices such as rhyme, iambic pentameter, rhetorical questioning as well as biblical references to carry his point across to the readers.

    Even though the poem is in 6 distinct paragraphs, it can be separated into three central parts. The first stanza stands on its own, telling the readers from the first line that he is about to die. He makes himself a metaphor of music, waiting in the line of the choir to see or perform to God. The next two stanzas make up another part of the poem. In these, Donne makes himself a conceit of a map of the world. He tells the readers that he sees his west. As the sun rises from the east and falls on the west, the west signifies death. Even though everyone must approach death, on these straights that only go towards the west, that death shall do no damage to him. He uses rhetorical questioning to carry across the point that he is not scared of death. Donne also suggests that east and west are the same anyway, alluding to the cycle of life to death then resurrection. Line 15 is the only line which differs from the iambic pentameter with one less syllable than 10. This cuts the consistency at the word ‘resurrection’, perhaps signifying that resurrection does not end, but starts life again. The last part of the poem is identified by the remaining 3 stanzas. In these three stanzas, Donne makes many biblical references such as Jerusalem, Japhet, Christ, Adam and Adam’s tree, creating a lexical string of religion. Donne asks of God to find both Adams – both being Adam and Jesus – to be met in him. Donne wants to be like both Adams, capable of communicating with God, arriving to God after death, and able to preach his words like Jesus. He ends his poem with quotations saying that “There that He may raise, the Lord throws down.” Creating a paradox of raising and throwing down.

    From this poem, it is gained the impression that Donne is or wants to be closely related to God. It would seem somewhat true that he is afraid of death but does not admit it as he attempts to gain God’s acceptance. It may be that his earlier life is so dedicated to love for his partner, as seen in his earlier love poetries such as The Sun Rising and The Flea, that he has forgotten God. This is thus retribution for what he did not do earlier in life.
     
    The Sun Rising
    BUSY old fool, unruly Sun,
    Why dost thou thus,
    Through windows, and through curtains, call on us ?
    Must to thy motions lovers' seasons run ?
    Saucy pedantic wretch, go chide
    Late school-boys and sour prentices,
    Go tell court-huntsmen that the king will ride,
    Call country ants to harvest offices ;
    Love, all alike, no season knows nor clime,
    Nor hours, days, months, which are the rags of time.

    Thy beams so reverend, and strong
    Why shouldst thou think ?
    I could eclipse and cloud them with a wink,
    But that I would not lose her sight so long.
    If her eyes have not blinded thine,
    Look, and to-morrow late tell me,
    Whether both th' Indias of spice and mine
    Be where thou left'st them, or lie here with me.
    Ask for those kings whom thou saw'st yesterday,
    And thou shalt hear, "All here in one bed lay."

    She's all states, and all princes I ;
    Nothing else is ;
    Princes do but play us ; compared to this,
    All honour's mimic, all wealth alchemy.
    Thou, Sun, art half as happy as we,
    In that the world's contracted thus ;
    Thine age asks ease, and since thy duties be
    To warm the world, that's done in warming us.
    Shine here to us, and thou art everywhere ;
    This bed thy center is, these walls thy sphere.


    The Sun Rising is one of John Donne’s earlier love poetries. The purpose of his love poetries are to focus on how important he sees his love and to show how much he treasures his times with his loved one. The Sun Rising is very much along those lines as it focuses on the time Donne spends in bed with his lover, only to be awaken by the sun. In this poem, Donne uses literary or poetic devices such as imperative opening, variation between iambic pentameter and diameter, personification, enjambment, consistent rhyming scheme and apostrophe. The Sun Rising also uses the bed or bedroom that Donne refers to as a conceit for the whole world. The conceit is used as a hyperbole to show how grand the couple’s love is.

    The use of the imperative opening is evident in many of Donne’s poetries, and this is no exception. Donne mocks the sun with the imperative opening calling the sun “Busy old fool, unruly sun”. This immediately allow Donne to tell the readers that in this poem, the sun is but a fool, nothing grand or glorious about it. Personification and apostrophe are used in calling the sun a busy old fool. The combination of the imperative opening, personification and apostrophe allows a lightweight and soothing tone, fitting the warm sunlight shining through into the room.

    Donne disrespects the sun and tells it to wake other people into their respective daily routine, but not the lovers. This is somewhat selfish of Donne, but he later explains that the world is but the bed he lies in. That if the sun wants to warm the world, warming the bed will be enough, yet Donne does not want the sun to do so. At certain points in the poem, Donne uses enjambment to rush a little in order to remind the readers that the sun is still bothering the lovers in bed. The repetition of time in line 10 further emphasises the poet’s impatience of the sun.

    In line 17, Donne refers to the spices in India which is like a treasure is in bed with him, making it a metaphor of his lover. This also brings together the idea that his bed is the world, such that every treasure in this world is in the bed. These suggesting that when Donne is in bed with his lover, all the world is just this bed. Alchemy is viewed by some as a rather unprofessional science at the time, and the reference to it made everything else fake and fragile compared to their life.

    The hyperbole used in the poem provides it with an arrogant yet frivolous tone. The poet arrogantly claims that his bed is the entire world, yet he uses a light-heartedly tone to suggest his frivolity to be in bed with is lover. He even goes as far as to claiming the sun is but half as happy as they are. In 13 to 14, Donne makes further mockery of the sun by saying that he could simply close his eyes and sunlight will not be seen. However, the negative effect of this is that he won’t be able to see his lover. Without the sun, hence, would disallow Donne to see his lover. It seems that Donne is well aware of this fact, but attempts to show how foolish a person in love can be. In effect, Donne confidently argues that he and his lover are the most important and perhaps the only important things in this world.

    The variation of the iambic pentameter, diameter and tetrameter show freedom as the poet is able to switch between these and intermediates. Referring to the love, this variation thus shows how free and boundless the love is between Donne and his lover.
     
    A Valediction: Forbidding Mourning
    AS virtuous men pass mildly away,
    And whisper to their souls to go,
    Whilst some of their sad friends do say,
    "Now his breath goes," and some say, "No."

    So let us melt, and make no noise, 5
    No tear-floods, nor sigh-tempests move ;
    'Twere profanation of our joys
    To tell the laity our love.

    Moving of th' earth brings harms and fears ;
    Men reckon what it did, and meant ; 10
    But trepidation of the spheres,
    Though greater far, is innocent.

    Dull sublunary lovers' love
    —Whose soul is sense—cannot admit
    Of absence, 'cause it doth remove 15
    The thing which elemented it.

    But we by a love so much refined,
    That ourselves know not what it is,
    Inter-assurèd of the mind,
    Care less, eyes, lips and hands to miss. 20

    Our two souls therefore, which are one,
    Though I must go, endure not yet
    A breach, but an expansion,
    Like gold to aery thinness beat.

    If they be two, they are two so 25
    As stiff twin compasses are two ;
    Thy soul, the fix'd foot, makes no show
    To move, but doth, if th' other do.

    And though it in the centre sit,
    Yet, when the other far doth roam, 30
    It leans, and hearkens after it,
    And grows erect, as that comes home.

    Such wilt thou be to me, who must,
    Like th' other foot, obliquely run ;
    Thy firmness makes my circle just, 35
    And makes me end where I begun.


    A Valediction: Forbidding Mourning is one of John Donne’s earlier love poetries. The purpose of his love poetries are to focus on how important he sees his love and to show how much he treasures his times with his loved one. A Valediction: Forbidding Mourning is a little different to many of the other love poems Donne has composed in the past. In this poem, Donne does not directly address his love and compare it with royalties such as in The Sun Rising or The Anniversary. In this poem, the poet uses literary or poetic devices such as iambic tetrameter, enjambment, consistent rhyming scheme and a conceit of the lovers being a compass.

    This poem, as suggested by the title, is one which is used to comfort the poet’s lover for his departure, asking that they separately calmly and quietly. Donne does not want tears nor sighs from his lover as he departs. Donne treats his love for his loved one as one that is sacred and transcends all the other relationship bonds inter-humans. He tells us readers that for love as sacred as this must not be filled with sadness. His departure should mean no less love to his loved one, but even whilst he is gone, their love remains as strong and as sacred. In fact, Donne suggests that their love links them so strongly it’s like their two souls are one. In the geographical picture, Donne himself would be the moving leg of a compass and his lover would be the central leg which the other leg encircles.

    The title is imperative, both by the use of the colon and by the use of ‘Forbidding’. The tone of the title sounds impersonal and thus also imperative. The tone of the poem is also very arrogant. It seems that Donne has put everyone else together as one thing which does not compare with his love for his partner as seen in “sublunary lovers”. It creates an atmosphere where his love is like a tyrant of all other loves, claiming that nothing compares to his love.

    Iambic tetrameter and consistent rhyme scheme is evident all throughout this poem with few exceptions. These are to give structure to the poem, to show respect for what a valediction may be.

    Three key images are portrayed in the poem. The first, Donne takes a dying man as a metaphor for his departure. It seems that this is not the case for he is not dying and he will return. He then takes gold to compare himself with, that he is malleable, like gold can be beat into a very thin piece and expand, that he too can endure and simply expand when facing difficulties. However, this does not cover that he will return to the lover. He then brings in the final key image where he describes himself and his lover as one compass, and each as a different leg. This conceit is evident in the last three stanzas where Donne describes how the compass works graphically. Through all these images, there is a sense of drama in the poem as well.
     
    The Good Morrow
    I wonder, by my troth, what thou and I
    Did, till we loved? were we not wean'd till then?
    But suck'd on country pleasures, childishly?
    Or snorted we in the Seven Sleepers' den?
    'Twas so; but this, all pleasures fancies be;
    If ever any beauty I did see,
    Which I desired, and got, 'twas but a dream of thee.

    And now good-morrow to our waking souls,
    Which watch not one another out of fear;
    For love all love of other sights controls,
    And makes one little room an everywhere.
    Let sea-discoverers to new worlds have gone;
    Let maps to other, worlds on worlds have shown;
    Let us possess one world; each hath one, and is one.

    My face in thine eye, thine in mine appears,
    And true plain hearts do in the faces rest;
    Where can we find two better hemispheres
    Without sharp north, without declining west?
    Whatever dies, was not mix'd equally;
    If our two loves be one, or thou and I
    Love so alike that non can slacken, none can die.



    The Good Morrow is one of John Donne’s earlier love poetries. The purpose of his love poetries are to focus on how important he sees his love and to show the superiority of his love upon others. The Good Morrow is different from other love poetries by Donne through that it brings in the past to show love. In this poem, the poet uses literary or poetic devices such as iambic pentameter and hexameter, enjambment, consistent rhyming scheme, paraphrasing and metaphors.

    The Good Morrow seems to be set just after Donne and his lover has woken up in bed. This is evident by his reference to dream in line 6, waking up in line 7 and the closeness of the lovers as seen by the eyes in line 15. It seems that as soon as the lovers awake, the poem begins, and Donne rhetorically questions “I wonder by my troth, what thou and I did till we loved? Were we not wean’d till then?” This is rhetorical question brings an imperative opening with it as is the case in many other of his poems. Continuing in the first stanza, Donne tells of his desire to be with his loved one by stating that if any beauty it was that he saw in his dream, it would be her. Similar to his other love poetries such as The Sun Rising, he directly addresses his love for a woman. In the next stanza, he implies that no matter where, he and his love will form a little room everywhere and the room would be the entire world.

    Donne uses paraphrase in the second stanza to draw a few key points into the poem. He and his lover will be the world and let sea discoverers to discover new worlds, and then each of the lovers will possess a world but both worlds will be one. A kind of paradox but it indicates that individuality will not separate the lovers.

    In the third stanza, Donne describes physically that he and his lover are looking into each other’s eyes and able to see each self within each other’s eyes. This is suggesting the closeness between the lovers both physically, being in bed, and mentally, being in love. With the world that the lovers create, Donne suggests that there are no cold places such as the North Pole and declining civilised places such as cities in the west. During the time of Donne, colonisation and imperialism were starting, especially in England, hence ‘declining west’ Their love thus seems natural and with warmth. The two worlds combined as one that the lovers create are metaphors for their eyes, as they are looking into each other. To them, the most important world is the world created by these two eyes, whilst the outside world is of no concerns to them. The poem is concluded by Donne suggesting that their love is eternal since their two loves are mixed so perfectly that it will not deteriorate.

    Enjambment is evident throughout the poem as seen in line 1 and the second last line of the poem. The position of each is at the extreme ends of the poem, hence structured in such a way that it suggests a cycle that from the last line the love will continue back to the first line like it has not changed at all. The rhyming scheme also suggests structure and thus the persistence of their love, their love so strong that it will not decline.

    The poem starts with the description of their love and ends with their love achieving immortality.
    5/1/2007

    Talking about Eternal Sonata

    I love the sound of that storyline! And the gameplay itself seems awesome combined with some stunning graphics which I bet many Xbox360 games have not made use of yet.

    Quote

    Eternal Sonata
    Finally, there is an RPG on Xbox 360 that makes the console worthy of buying!
     
     
    Eternal Sonata, otherwise known in Japan as Trusty Bell: Chopin's Dream, is a game created by Tri-Crescendo - the developer of Star Ocean and Valkyrie Profile series. The story revolves around the piano composer, Frédéric Chopin, who died at the age of 39 due to tuberculosis. Three hours prior to his death, Chopin dreamed of a fairy-tale land, in which people with incurable diseases have great magical powers.
     
     
    In the dream world, Chopin meets a young girl named Polka, who lives in the Village of Tenuto. Polka also has a terminal disease, and her boyfriend Allegretto is searching for ways to convert her magical power into a cure. There are many other playable characters, all named after musical objects like Beat, Viola, Salsa, March, Jitterbug, Falsetto, and Claves.
     
    The battle system will be real-time based, featuring musical elements, special attacks, and light and darkness. The game will also utilise Xbox 360's graphic capabilities to generate high definition in-game environments. You can see some jaw-dropping visual samples here, here, here, here, here, and here. You can also see the official movie trailers here.
     
    In addition, the pianist Stanislav Bunin will be responsible for the Chopin's compositions in the game, while the famous composer Motoi Sakuraba will handle the additional in-game music.
     
    If the game is as good as what I have experienced in Star Ocean: Till the End of Time and Valkyrie Profile 2: Silmeria, they can bet my money will be on their premium package on 14th of June.
     
     
    Eternal Sonata Japanese Official Website: http://namco-ch.net/trusty_bell/
    Eternal Sonata Xbox 360 Japan Official Website: http://www.xbox.com/ja-JP/games/t/trustybell/
    Eternal Sonata Official Movie Trailers: http://www.xbox.com/ja-JP/games/t/trustybell/movie.htm
    Tri-Cresendo Japanese Official Website: http://www.tri-crescendo.co.jp

    Site analysis

    4/30/2007

    Birthday Dinner/Cake

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    mmm... cold pizzas

    Passionfruit Cheesecake:
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    Though I must say I couldn't taste the strong cheese in nice cheesecakes and the passionfruit was a bit... weird. XD
    BUT it was a massive dinner.

    4/21/2007

    Mai Kuraki and Avril Lavigne also owned

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    What is owning? Well, I'm not quite sure... Actually it's nothing much. XD But you know, it makes you COOL to own those awesome singers! lawl... Join SHINSENGUMI and start owning!? XD
    4/18/2007

    Jessica Alba & Me orz

    Hey guys, I realised some time ago that my birthday is on the same day as Jessica Alba - I must say she's pretty ugly (pugly) on the photos on Wikipedia. XD Here's a much better version of her, credits to Matt23219user posted image

    and check out my new siggies:
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    A siggie dedicated to TOD reaching 9999 post count on SHINSENGUMI - http://z3.invisionfree.com/SHINSENGUMI/.
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    A siggie dedicated to TOD reaching 10000 post count on SHINSENGUMI - http://z3.invisionfree.com/SHINSENGUMI/.
    ^^